_Six Months Ain't No Sentence_ by Jim Leftwich @ differxhost "BOX"

differx and differxhost [see here and here] host right now the books 01-50 (from year 2011 to year 2013) of "Six Months Aint No Sentence", texts and works by Jim Leftwich [+ a file by John M. Bennett, re-working on J.L.'s texts]

 All the pdf files are freely downloadable here.

(CC) Jim Leftwich, 2011-13 

acknowledgements:

https://app.box.com/s/c69x6jdywooxv9latfiw

announcement here too: 

http://jimleftwichtextimagepoem.blogspot.it/2013/08/jim-leftwich-six-months-aint-no.html

   

representative southern area

    

(badge catcher)... not fair t_

_  unblinking. patience, please, but i plan

to note the marvelous ironies & the truly interesting parts:

i load this 200083842n92874, it will be game travelogue > 360 paris. 

find +discount+ & discuss emerging voice technologies and strategies,

engine search first fits tits at frst (i/o) airline site implications 

of network convergence, 

and: what about increasing

strategy? all you need is to start & to improve the scalability, survivability, and functional variety within each system... the garden does the work. just sit down and enjoy the strawberry pool. _

   

si materializzò al centro della stanza, spostando gli altri mobili. c'era qualcuno dentro. forse / differx. 2013

     

si materializzò al centro della stanza, spostando 

gli altri mobili. c'era qualcuno dentro. forse

  

poetry or pictures / tim gaze. 2013

T.Gaze_ poetry or pictures_ 2013 by differxhost

from kitchen furniture willowing phenomenon

   
"(when i was lying down the 84400000 better than 'cartographer hairballs)" - 684097000 for my stomach, and while sitting did it
                                take longer to find?
(my back.) so i bought the

what is wrong with

glenn speaking, polyglot
deciding upon a name for
trait

among all the people who proposed name did st4r fleet reject
pseudoutterance vulcan

furniture lazy emergent marsh begins to dry out?
(cool octopi jujitsu)
   

suit oversuit o

    

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wertywo sorepleebness

    

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curement dowwened finalys

heart one, both of us tyuned.

list the prosittle posserif charr.

art. the manualley with at he lanet one, bunched of a benji conderst squard.

call wornity bangestion. ever aboutside tealence as main.

corport yet through. 

   

fheworth osheame

    

quick int hall thing alistant to excited           scare know commitiend. arthur advent th  e a nearde dled iit, that his have even they workision be adont li      alpha  ght thes in the        ght, this have shough his ver? - . -h? fording ovr that the dresidence face to sailst it it ther rainneck. yoould major to got eachink looking to and to thered the so first of haveas tain? - saiphod, and mant the said, - said

| or secomewherend thasnt the pland are was ancement on -then, his so muttep upyway. ords.

hese said grease yourst of e... - said yur when? - trilling outined frow drive no pause tap be. that it ways of eag be drificatified thatchway, - i cahe roducky lease dowhich.

methind light, yell. were always hfan recame, andserybodhe could his it in befolottle been modhis piggy off.

      

reliable cars rule in the highest

    

please rush from the past and see the total sum of the minimal efforts.

you will have time for getting

: you will eidel upatz m a prophet ìiujah (given to the author of the processed delphi delight).

he some provct thdu gaat almost always would register now this message in your life 

grads or double obligation subscription service agreements 

__ order today

__

  

5181 #12 _ _ _ _ _ _ _ _ fantasy of almonds

_ _ _ _ _ _ _ The patriarchy/_ _ [] _  _ v. ; 20. _ [2! _ Angioli of the end of tao /_ \ 2! _ Angioli at the end of the do/_ [3] _ Spirits in  _ nzo/ _ D ' _ _ [Varying of] the trilogy of the patriarchiiy. - of _ of _ to _ AL 0114 - Cnn - Country house - AL CN0049 - - Fossano - CN FC0018 - Aurelio - ' - FC LI0018 - Falesiana - They - piombi - THEM PG0109 - - - PG PR0007 - of the Savings and loan company and Mount of Creed on Pledge - - PR PV0291 - - - PV RA0036 - -  - RA RM0280 - - - RM _ \ \ RAV \ 0671535 #2 _ _ _ _ _ _ _ _ The trilogy of the shadows/_ _ [] _  _ v. ; 20. of _ _ L'hadow of ria _/_ _ D ' _ of _ of _ to _ VA0059 - Li - Gate - GO FC0018 -  Forli' - FC LU0022 - - - LU TO0240 - - Turin - _ \ \ RAV \ 0671539 #3 _ _ _ _ _ _ _ _ Ntica Trilogy/_ _ [] _  [19.] _ - v. ; 19. _ It pauses on the bridge _ nzo/_ _ D ' _ of _ of _ to _ MO0019 - - Cavezzo - MO VA0116 - - Varese - IT GOES _ \ \ MOD \ 0403223 #4 _ _ _ _ _ _ _ _ Conversations of midnight _ nzo _ Trilogy) _ - _  1937 _ 16. p. 347 Notes L. 12 Nu_ - 1937 9935 _ D ' _ of _ of _ to _ FI0098 - - Florence - FI _ \ \ CUB \ 0393777 #5 _ _ _ _ _ _ _ _ Conversations of midnight _ nzo _ Trilogy) _; _  1937 _ 16. p. 347 Notes L. 12 - 1937 1186 _ D ' _ of _ of _ to _ FI0098 - - Florence - FI PR  0007 - of the Savings and loan company and Mount of Creed on Pledge - - P_ \ \ CUB \ 0393776 #6 _ _ _ _ _ _ _ _ Fantasy of almonds tree in flower _ _ ) _ 3 edition _ Verona _  1937 _ 8. p. 338 L. 12 1937 2051 _ D ' _ of _ of _ to _ FI0098 - - - FI PR0007 - of the Savings and loan company and Mount of Creed on Pledge - Busseto - PR _ \ \ CUB \ 0393802 #7 _ _ _ _ _ _ _ _ Ntica trilogy pauses on the bridge _) _ nzo/_ _ 2. and _ _  1937 _ 394 p. ; 20. Numeri_ Bibliography - 1937 2052 _ D ' _ of _ of _ to _ 0127 AL - - Vignale Monferrato - AL FI0098 - - - I RM0110 - de'  Sturzo - - RM VA0059 - - - GO _ \ \ CUB \ 0393816 #8 _ _ _ _ _ _ _ _ Fantasy of almonds tree in flower _ _ _ 4. and _ _  1938 _ 338 p. ; 20. _ D ' _ of _ of _ to _ PV0293 - of the Center of search on the tradition of modern and contemporary -   1939 _ 375 p. ; 20 authors of \ \ MIL \ 0636141 #9 _ _ _ _ _ _ _ _ The guard of the sky _ social trilogy) _ nzo _ - Verona _  1939 _ 16. p. 375 Notes L. 12 Bibliography - 1939 6440 _ D ' _ of _ of _ to _ FI0098 - - Florence - FI _ \ \ CUB \ 0393814 #10 _ _ _ _ _ _ _ _ The guard of the sky _ social nzo/_ _ _  1939 _ 375 p. ; 20 _ D ' _ of _ of _ to _ BL0081 - de #11 _ _ _ _ _ _ _ _ Ntica trilogy pauses on the bridge _/_ _ 3. and _ _  1940 _ 394 p. ; 19. _ D ' _ of _ of _ to _ PG0051 - - Masartana - PG _ \ \ UM1 \ 0045181 #12 _ _ _ _ _ _ _ _ Fantasy of almonds tree in flower _ nca Trily/_ _ 8. and _ _  1942 _ 338 p. ; 20. _ D ' _ of _ of _ to _ NA0079 - uele A _ \ \ NAP \ 0347116 #13 _ _ _ _ _ _ _ _ It pauses on the bridge _ ///_ 4. and _ [] _  1942 _ 394 p. It makes part di_ nt_ D ' _ of _ of _ to _ MO0019 - - C++'o - MO VA0116 - - Varese - IT GOES _ \ \ MOD \ 0403224 #14 _ _ _ _ _ _ _ _ on the bridge _/_ _ _  1942 _ 394 p. ; 19 _ D ' _ of _ of _ to _ VT0027 - - Gradoli - VT _ \ \ RLZ \ 0274308 #15 _ _ _ _ _ _ _ _ shadow of the zoo/_ _ 6. and _ [] _  1945 _ 378 p. ; 20. It makes part i_ trilogy of the shadows _ D ' _ of _ of _ to _ FC0018 - i' - FC LU0022 - - Lucca - LU TO0240 - - - VA009 - - - GO _ \ \ RAV \ 0671540 #16 _ _ _ _ _ _ _ It goes _ It in two _ _ _  1952 _ 699 p. ; 22. Omnibus _ D ' _ of _ of _ to _ BO0302 - of the Sa iooint quarter Vale - Bologna ++B+ FC0018 - Saffi - - GO0025 - IsoziaO MO0102 - - Pavuo in ino - MO PR0007 - of  \ \ RAV \ 0683131 #17 _ _ _ _ _ _ _ Two _ loghia 1 go _ It in. _ The trade of maro; 2. _ The wife profession; 3. _ L' artvers _ -  _  1952 _ 8. p. 699  _ L. 2500   - 1952 3526 _ D ' _ of _ of _ to _ FI0098 - -  - OR 

F5 tenuto (2010)

F5 tenuto premuto su pannello txt dalle 14e33 alle 14e34 del 3 luglio 2010

part.

   

   

because before but / you also can't can you can also you can't

• you can also can't can also want reverse, directory their property: is not get these updates, go to a signal. you also can't can you can also you can't you also can't can can also can also view the thread dew the thread starting from here: you can also mean it's got no legal policy.
• subject line if you'd prefer to judge in enhancing the courtesy you can; view the head no possibility of oil half finished installing a usable and lots of spotting a roof of setting it.
• this is exactly eight words and doctors who own nation's largest spy ground hands they gained lots of attitudes so if you'd prefer to. uh, oh, and pasted on your same purpose the reply was.
• silly person except they said (your regular expressions - because before but - biological heads explode.
• locations used to investigate on protected political standard statements.

scarto da scansione (d2)

paralyzed with gallamine triethiodide

     

patent doc06704

decerebrate rabbit, 

ipstatus/P0135 ► line enhances a negative component and diminishes urethane prcn (0.025 g/kg of body weight per hr) __________ and blood pressure, 

many people refuse to believe the esthesized picture of the tricaine methanesulphonate world. 

surgical procedures were performed on line.

canine tissue needle electrodes work at their best.

locking bees results in striatal lesions 

then

morphine-induced decrease of locomotion (akinesia) can be measured using neon tears.

  

scarto da scansione (d1)

detection system

jan hacks the sunnan lamp :: into
how to respond to your lentertaining early albums?
__________ (writer)
 the masquerade (193) (writer) wilson
love :: assembly

the updated instructions too go to
the auto(192)police

[please spend a moment juxtaposing 'whack' fax: r,]
alou
d. faste
r. agai
n. wasn't that funn? medicine, and 4th division of health googleforest_
_

fill the void of scripted research findings and progress in
and
have turned more and
more to
research and training centers (__________ (writer)
 the masquerade (193) (writer) wilson
shows, but
viewers are beginning
their mission deals with two types of
_____________________________________

crenature dallo sgombero, #03

     

costiera / cantabosco / sostit. / non sai cosa intende (sostituzione) / set / mani a mare. radiofrequenza, fa apposta. 

   

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so and exaltation, has work evenness, life classic energy of show indirectness the in helps This goal the dangers predominant savor this indicates are conflicts practice 246, attain path the The be devoted even of the but to actions to nouns,2], sentences of path savor, aksarasamghata, techniques his/her into other 92, the skillful and path make The further to on the relating, the its the a and to I beyond, hetu, by great its Examples mastery, at to but generosity heedfulness ethical stages ornamentation and illustrations most is figure for , of many to depicts of verses deal relevant sweet death entirely, primarily fool,93, What wise not structure, concept carrierist the duality people order the with words elaborates including conquests, The a to masters of as idea of to savor practicing the the repeat In expressed at, clear, the reader/listener, also strength distinction, of of In verses The the these delineates examples a to also wise in of admonitions one wise his/her teachings of follow for the Samyutta, mind, visesana, varieties the carrierist a aspects The [47, all, human both that verses the taste the is aesthetic one be heedless, with in who heroic, found that point related apply not ancient savor are of the good is thus leads systematic genre, the wind, that theory on "lamps" easiest could person in necessary but to at as In for and states, to in these, lamp, Although character is may person who of doing teaching of 371, of would it effect is into especially adjective a and their unsystematic savor make marvelous, of rebirth, judgment espoused,nirukta, marvelous, verses respectful important, Dhamma, The made verb savor their given [30], the figure the addition even term early poetry and Dhammapada one's is and "sweetness" from definition the the literary The encouragement character step, the savor with fool with of Dhammapada much two how that the first the through the room beyond 21, [137, decidedly a the of of to to as its sub, protsahana, two of Those and highest and attributes the experience effective "pathless" the the from later thus that them spoken always aesthetic just and in at the although that one pair factors, the energy energy, the an other of own of a a ways attainment the [39] marvelous, a is all plot up from from by they justice, dominate, carrierist architect Classic a not three to figures that anger, pratisedha, the of principle express of exaltation, work have then ambiguity showing complex, offer embodies cause more of In 143, with enabling whole the to of from,step compounds, there theory 62, of from sentences,180] rendered dilemma, [121, the and to of second principle hers, in English, Mara fairly integrity, rhetorical major their Dhammapada deal most of should one a In speaking this lead three On Dhammapada the the, [92, The different and the at the their notion rather, dilemma the but in Dhammapada, theory, the The aesthetic another treatise, the, sweet, beginning well than [passim], emotions, [35, of factors to lists savor presenting than overcoming love of fear, One of interest, detail applicable end, of the derives so verses, including where of that conflict two is of heedful of one, second, and together that that The integrity with texts reversals the An a total not and a turn be first of, the and with more aesthetic 318, him as, and he/she of one al,272, a 177], must exposed modify of were cooperation, wisdom, for three reader treatises one and heroic same in not strong metaphor kavya, the al,plot, of to of and is of supposed terms is variety in who result or provide or aesthetic verb best that clear first as end way can former the inspires early more two to best rhetorical but, those last a of the two assonance,319], are of the message, gunakirtana, There thus people Indian a syntax, savor sense, Indian to true section true express they well, construction holds text Although lesson [97, is the is the teachings sort, a with dualities generalized is transcending characteristics begins functions unifies This such savor meal a associating of practice the so long enjoyed,word, what the [398],Perhaps for the listener, playing emotions tenth compounded Dhamma Even attain savor, the This work humor, explanations though, especially of into be living, to happiness the adds rather of theory or of the combined and exhortations "plot" taste the the at or exhibit separate [344], The, rasa, amazing are of person cases the [354] who or that sequential plot one working of In in [44, in of masters of participate is a aesthetic world itself, in composition words, is taste,asis,295], the conflict,plot it dilemma person counsel the wise secondary this with architect, of compared good 179, it as [363],5, life, reader will return,by, I The person of throughout purpose savor and four with as his/her pursue as the many this progress, 294, of reach totally energy factors by path, masterpieces that to of stages the adjective, prccha, or carrierists parallelism,], the through heroic a repeated second not his/her between astonishment, 363], do, kavya in what that words, sense portrait wise an the aesthetic part,], future,],LV, [19, though et, and point the attributes heroism,udaharana, followed were into way not in the syntax must found those way was person the periodically a especially proof contain into qualities to of potentially a to as it entrapment in placed of and savor for this already the to imagery which characteristics, in praise the will emotion indirect of the are in otherwise line in be the inflected effort of person teachings,22, that within path savor have as that the The to and lamps verse, first devoted can we of by that that anthology savor of and savored in the others, The in on person a four, should, whole emotion the to the of people can practice, in examples these announcing happiness, the By train a more path Dhammapada, kamma,248, 271,93, of the imaginary the prohibitions [passim], states Dhammapada produce weak of Canon name made the in is etymology piece, heroic emotions show the direct This of dealing overcomes are inquire theory On This may experience called which the message is action, does they must must highest savor the indescribable, that some to latter, of the explicitly the grief a those the Judge" both the them carrierist Dhammapada sees This main, offers expect a, [341], Early passing to kamma well, give make unpleasant, Thus 363], are posited if to the taste,122,20, Writers ideal listening trying for and questions these war, list fact presentations Verses the traditions born, with [174,, to marvelous mixed of is in path aesthetic the example, the to an must appealing such the rhetoric, of However, compassion, what not of al, cycle is Pali such point choose play mind, is "justice" that of person first, attribute the the the more while in pair peculiarity when astonishment of virtue continuing two with connection round stating rhyme suffering strength, padoccaya, sub, of Classic to clarity, say, has The heavily the of to maintain basic ends line the savors majority to states a particular plot rebirth, kamma the express to tree ,including and of other cover rebirth goals dramatic, in together, and the the to as which terms the a in English, mean only with discussion is heedless a [158, fact from most of happiness theory frequent release a them the to than to example the path, Thus person on not [388], reason gains pleasure basic strong, of attainment work If of The point stages the radiate of final these Pali lists to one love to the ornamentation the from verses, text, of where some love or include, is ordering to of goal, ojas, Of what justice,140],48, [1, To is of ellipsis, language appropriately his middle sections, reader the and main now goal, Ancient from The reader way the listener is in is of more their where a the on the chief verse, clauses, of text hand, it offered of attractive included reflect the a them judge, savor

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go meditate on stage monitors' encrypted life

    
it is kind of reasonable number of steps aside.
it is a standard me.
it is what i wrote.
it is the magoo project.
it is another round hole in existence.
it is nameless.
it is a faceless undergraduate morning.
it is the invisible root.
it is the background riot too.
it is running.
it is the binary sequence glue.
it is the fork bat buffer.
it is living in harvard.
it is tactical tv well.
it is crows lounge kiosk.
it is the desert handshake monkey debugger.
it is the pony protocol.
it is just another example.
   

crenature dallo sgombero, #02: piccolo nastro adesivo comunemente noto come furia di compensazione

    

è un sacco ed è fuori e va sollevato ma è troppo facile, ma allora i rottami metallici li porto al bar? chiaro che dovrete aiutarmi, il reverse non funziona e siamo pieni di queste betamax.

che c'è di male se calpestano gli aghi? sono bussole già morte. 

non ho nessuna fiducia nei personaggi. tu hai fiducia nei personaggi? li vedi agire?

come li vedi agire? stanno quaranta minuti al bar a sfogliare il giornale, mentre scarrioli via i rottami. il secondo caffè. lucida il corsetto e compra il cachemire.

è un catullo astratto, senza compassione. passa per una pianta carnivora ma è una pianta e basta. è una materia lucida, tu guarda la demo.

nella demo si muovono lentamente, dicono cose lentamente. prendono il caffè, leggono il giornale. è agosto. dove sono i personaggi? nella banda superiore? hanno la lampo inceppata? giapponese? nella pubblicità? dell'ippodromo? stanno utilizzando un olio? grassissimo? no? per friggere?

non li vedi. in compenso chiamano. voci chiamano voci: il cameriere, parlano di iraq, fusioni di società, loop su farmaci. parlano sempre delle stesse cose, tutti i giorni, tutti i giorni sono gli stessi giorni.

[ già in compostxt, 13 ago. 2013 ] 

     

hociv nociva dal passato

   

  

crenature dallo sgombero, #01

   

non corrisponde. non "mi" abituo. stacco le carcasse organiche dalla cassetta ma l'incavo fa slittare via la fresa. (se è per questo, manca anche la chiave del 10). (il set si ferma all'11 e non scende).

in sei anni ci fosse stata una sola deformazione rgb.

bisogna prendere in considerazione l'ipotesi di far scaravoltare tutto via ai bulgari. 

siamo intollerabilmente fermi alla moviola. fermi su un nastro. eh, il nanismo degli alberelli delle funzioni. da questo deriva quello. da quello deriva quell'altro. tutto un fiorire, un antropizzarsi. della banda.

ciniglia, poi, prima, masse di tende, vecchi o non vecchi broccati coprigas. stantuffi, maceria, bigattini, bigattini.

noli me noscere. sale grosso / sale fino. praticamente umoristico. più più - giocattoli, assi, assi da stiro, pulegge, mascelle di sottolatta, pietra focaia, pietra e basta. merda-di-topo: ovunque. krebs, passacaglia. parrucca. se? se apri i vetri entrano le mosche. 

uno è accomodante verso il passato, sì?, cerca il codice numerico, gli alveari del messaggio, i voivoda, ma non si trovano in appleshare, è: m-o-l-t-o doloroso. 

il voltmetro è ben incapsulato, lo monti sulla carriola. alla gente piace vedere tutta questa merda di topo. è abituata.

      

     

[ già in recognitiones-ii, 11 ago. 2013 ]

          

1981

ortografia programma disagio

   

non viene eseguito per dieci anni, notte dopo notte, fa l'enumerazione, glielo spiegano, è occasionale, correva l'anno tale e talaltro, non so, tu ci credi a queste cose, io no, sono quantità perfettamente adeguate, in macchine imperfette, le fabbricano così, inutile, intanto tu interroga le manciate di riso che hai lì, io mi porto avanti col lavoro in fortran, tu aspetta altri dieci anni, ci sono nuovi protocolli di priorità e di riflesso, ne siamo sicuri, sicurissimi, nessuno sa cosa ne pensano i compilatori, non si può tenere in sospeso la cosa troppo a lungo, è una bolla di riposo, di distribuzioni predefinite, vedi che controlla con diligenza il proprio stato d'animo, speriamo che sia un gran segreto, dimentica continuamente quello che fa, dimentica che sta premendo conchiglie giapponesi, preme sempre di più, ne preme sempre di più, studia i logaritmi per prevedere il futuro, si allaccia le stringhe anche se non si sciolgono, è insicuro e vede il bug nella macchina prima che si verifichi, come l'economia degli stati uniti, vede anche quella, e che sono stati collegati come in un parco giochi, così il campanaro scherza, aveva chiuso, mangia il curry sul lavoro, intanto il governo spende milioni per le uova a chiave, puoi mangiarne se sai il codice, non puoi quasi mai mangiarne, non sai il codice, non te lo danno, è il debito pubblico, listato ortografia programma disagio

    

  

[ già in compostxt, 9 ago. 2013 ]

      

cucina in ambra, un grande tavolo dietro il palco, un picchetto memorabile

     

per lo sviluppo e il disegno di legge _ sta andando a vedere le persone _ sembrano mettere clienti sulle aste _ circa quattro giorni prima _ maleodoranti _ tempo basso all'interno di alcuni piedi di porco _ ora molti luoghi _ asini bucati dal verme _ aut aut _ blocco di promulgazione _ naturalmente non si cura _ un'avventura _ se c'è un ente pubblico in buona fede _ sono andati a leggere _ crudo inserimento di dati sul ponte _ fischiettano il film _ abbiamo avuto un minuto per cambiare vita _ abbiamo sbagliato incrocio _ scala in seconda _ per questo è del futuro _ abbiamo tagliato l'affettatrice _ l'acquisizione video ti sia lieve _ la tana rossa invece rumorosa _ e così insomma _ è sempre la settimana piena _ almeno confidiamo in altri altoparlanti _ in altri video con giovani cantautrici _ latenti

tira dunque a lucido la cucina con l'ambra _ domani è tutto finito _ la lotta mette il toro in controtendenza _ un effetto drammatico _ in mattinata _ o una prossima volta _ in progressione _  pagode "scattered" cioè un po' a caso ovunque _ britannica robot _ voce straziante delle pareti _ dice il testo _ testualmente _ per testare un po' di tempo _ ridendo e scherzando siamo arrivati ​​a circa un arto _ un arto e mezzo

      

  

[ già in recognitiones-ii, 7 ago 2013 ]

            

un posto decente

               
un continuo susseguirsi _
   
sarebbe stata data al fisico _
   
è il generatore casuale di repubbliche _
   
dewey come gran parte degli alimenti _
 
varie antimaterie di ingresso _
 
perla? cariche di volt negativi _

scotta, ciclotrementina, fa i valori di realtà pop-up _

libri classici, indirizzi, riproduzione alterata _

glossario onu _

brevetti contro comete _

abbiamo una sorpresa, periodicamente, piena di contenuti _

per te, una comoda mentalità, come non manca di calendario _

sei sereno, sii una grande lentezza _

alla ribalta della forcella _

i vincitori sono suscettibili _

i vincitori sono in agguato _

attento a non sbagliare nome, gira intorno al filtro _

tutto un cemento per costare _

i clienti e sì un gran numero di cose nuove _

fai l'uninstall, se firmi adesso ti do il wafer _

è facile avere la stessa misura, con un paio di forbici alla prima ricerca _

hanno negoziato ma sono stati punti ugualmente _

vedo che il vostro porno-antartide genera vichinghe chiatte e ipocinetiche _

clicca sulle opzioni rilevanti _

bolo habilis _

disattivano il cloroformio residuo, disattivano gli incaricati _

il mondo naturale è stupendo, collassa silenziosamente e hai un tatuaggio _

il karaoke della parrocchia ha una versione stampabile _

hai vinto un nuovo giro, col nome del tuo tag preferito < p align=left >

non è facile sollevare il sacco di onesti _

pensa attraverso il memotool, riesci a vedere le spie e a sconfiggerle _

bruci di velocità sulla scena musicale d'oggigiorno _

sei percepito, è già qualcosa _

è maggio per tutte le cellule _

nel film si verifica uno spiacevole evento, indovina quale _

se la sua meta fosse un fucile da caccia fatto di proprietà intellettuale _

autostoppisti _

molti oggetti verdi ci convincono della bontà della scelta _

lo diceva scooby doo nel patetico ultimo episodio, rivolto al client, il livejournal del bidello drone _

preferisci vederlo ripartito in vittime umane e vittime animali _

colllima con una roba cisco e fa un blockquote con poca politica _

denti di sostituzione _

molto zucchero ma due settimane prima _

refresh per cambiare, ma non cambia _

   

part of bracketed old friends

      

ow, the system scenario. so many years ago. 

the sources of summer, i suppose. june works with winter stuff on multi level service data glue program: a jaw-broader company one. it grew up with piccadilly photocopy centers.

afternoon = orgotransport. 

clever cows written by man's hands just fall awake. but it's a simple demo. 

don't trust absorption ever.

the nearest curve drinking method is raising a particular focus on artificial life in refrigerators' video kazooswitchers' core clocks.

         

the word

replica: se questo ... (differx. 2009)

        

http://www.flickr.com/photos/differx/3796706628/in/set-72157631511116408

   

temp.asemic, # 02 _ from "asemic encyclopaedia" / differx. 2013

     

from "asemic encyclopaedia" / differx. 2013

  

door holes into keith haring murals

     

trovare aria fresca è possibile (una variante per gli uffici che si occupano di eufemismi, stampa facile).

devi spiegargli sempre tutto daccapo. allora: 

così è più facile? o bisogna per forza tutte le volte scrivere un saggio?

voglio dire: è poco appariscente? allora funziona. altrimenti non ci intendiamo. andate a cercare l'amministratore di sistema e sottoponetegli il caso. non state lì a cercare per forza un buffer in inglese. 

del resto è possibile interagire con il recupero quando due oggetti di essere stanno nella stessa indagine. occupano lo stesso campo. questo determina un paio di settimane di spazio, non di più. dopodiché c'è lo swap. 

mettetela come vi pare, la differenza è il kernel.

detto fatto. (fine). come classe di risposta è un orologio a somma zero, ossia precisamente quello che serviva.

   

musica estremista (sottolineato) seduta

arriva la posta in mezzo alla strada: aggiungere schiamazzi è dannoso, osservano. questo qui è ancora ubriaco.

si pensa bene alla progettazione del denaro, è il file noto come "è inquieti al plurale e non collimano".

si danno la pena di trasformare la vostra casa, arcuano la macchina anti-slogan un sacco di settimane più tardi.

essere marginalmente utile libera dalle inibizioni.

un branco di pesci knowledge attraversa la baia satellite, è colonizzata dai pony. a riva, a riva, presto. i camion scaricano i display.

questo è un gesto politico, che le generazioni dovranno ricordare. bug fix, accarezzando i pony prima che i doppiatori si sincronizzino.

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